| |
WHAT
PEOPLE ARE SAYING
Here are what visitors to the 'Bea
Arthur in the lime light' web site are saying about the
show:
To read my own personal story of meeting Bea, click on personal
experiences on the left.
06.14.2006
Click HERE to read a letter from Wanda (with photos)
03.30.2006
Dear Kevin,
I wanted to write a little feedback about the Governor's State University
Show, this past month. I of course attended the show and I am still on
"cloud-9" from the whole experience. First of all, I have been wanting to
see Bea Arthur live, since I saw the first episode of Maude, when I was a
young boy. Then, when I was a bit older, her performance on the Golden
Girls, just took my breath away. I believe I was the only 5th grader who
had a weekly passion to watch Golden Girls, as opposed to my friends and
classmates would watch the A-Team, or The Simpsons. Bea's humor is
certainly unique and her charm is unparalleled by no other. I cannot name
many other celebrities who does what Bea Arthur does, and at her age. Yes
its true, she did slip up once in her performance in Chicago, however, I
have to give her credit, she did not falter once, not once, when the audio
system was malfunctioning. She maintained her demeanor and continued with
her stellar performance. She even had a moment to bring a bit of impromptu
humor for the young girl who had to come out on stage and present Bea with a
handheld microphone.
Throughout the performance I found myself hysterically laughing at ALL
of her jokes. It was truly an unusual experience for me. I was either
finding myself laughing uncontrollably, or I was on the verge of tears, due
to the fact that I felt like a gitty-15-year-old-pubescent-girl swooning at
a boy-band concert. It was indeed strange, I have met several notable
celebrities in my life, but none have effected me the way Bea does.
There was a dark period in my life, where I was in turmoil with what I
wanted to do. I found myself quitting a professional degree program to
pursue something I was more happy with. However, there was a period of
about 8 months, where I was out of school and jobless, and pretty much felt
like a total looser. Believe it or not, I watched television twice a day
during that time...8-9 AM and 10-11PM on Lifetime, just to watch Bea Arthur
on Golden Girls. Watching her, was enough on certain days to make me feel
better about myself, by giving me a few laughs. Fortunately, I have moved
on in my career, but Bea made it a bit easier during tough times to be who I
am.
I hope that God will allow Bea to continue bringing joy to our lives for as
long as she is able to, but I am glad that I can now and forever say that I
saw her live and the experience of it will remain with me forever. (PS: My
cat, whose name is Bernice Frankel, watches Golden Girls with me every
night!)
Rob
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Andrew [Chicago,
IL 2006] |
03.22.2006
My friends know me as "obsessed" with Bea Arthur. I can't even explain why.
My boyfriend even shares the same birthday with her. Clearly, I have issues.
Obviously, I was excited for the show in University Park, IL. First, some
background: I had seen her show at the Park West Theatre in Chicago in 2001.
I had the great pleasure of meeting her after the show that day. I had the
official 60th episode script of the of the "Golden Girls" handy and ready for
her to sign. When I got the chance to talk to her, she grabbed the script out
of my hand and said, "Where did you get this?" followed by "Oh, I remember
this episode" (It was the episode where Rose writes the letter to Gorbachev).
She flipped through it and then signed it. After hanging out a while, I soon
realized that I was the last person standing in front of the trailor outside
the theatre. She gave me that classic Bea look and uttered, "Did you want
something?" I softly replied, "Could I please have a picture with you?" She
said, "Come over here, honey." I had the picture taken and it now hangs in my
office. I'll never forget it and I'll never forget that show. I knew that
her show at Governer's State University would be the same script as the one I
saw that day at the Park West. I was thrilled. My good friend joined me and
we were merely three rows from the stage, right in front of her chair.
Shortly after four o'clock, Bea emerged from the darkness decked in purple
sequins, and the crowd reacted excitedly. (I love seeing her. I know that
she is ancient and I know that shaking her hand is like touching death, but, I
absolutely believe that she is one of the most talented, well-rounded, and
generous individuals in show business. She is truly "old school," and is
great about catering to her fans). The show started perfectly: lamb recipe,
a few songs, and the funny story about her first audition ("...aw, fuck
it!"). However, Bea was not as sharp as she had been in prior shows.
Perhaps, it was the fact that she had not performed it in a month. But, she
messed up the lyrics on four songs. During "Pirate Jenny," she stopped early
on and asked Billy to restart the song. She tried again and forgot again.
She had to ask a stagehand what the next lyric was. But, she was unable to
hear him and decided to forget the song and move onto another. With other
songs, she asked Billy to move ahead to another part and sometimes, she even
replaced words. For example, in the song "It Never Was You," Bea
sung, "somebody's nest" instead of "meadowlark's nest." Even during one of
her stories, she had to ask Billy about a word that she normally used. She
was discussing how she looked during a performance in her younger years and
she stated that she "emoted...her _________heaved." She couldn't remember
that she used the word "bottus." When she asked Billy, he gave her the line,
but she could not hear him. Even the audience was chiming in with the correct
word. But, she went on without it. Honestly, all of her fumbles made me feel
uncomfortable for her. But, I also have to say that the sound system at that
awful theatre gave her problems, as well. A stagehand came out and handed her
this huge microphone that covered half of her face and she sharply said, "What
is this?" "What am I supposed to do with this?" "You mean you all can't hear
me without this?" I almost expected Bea to pound the crap out of that poor
girl who brought her the microphone. Nevertheless, Bea's remarks were
returned with laughter from the audience and I must say, THAT is what I love
about Bea Arthur. Despite all of the problems with the show, she played them
off and turned them into a laugh for the crowd. At the conclusion, she
described the audience as "delicious and permissive." Of course we were. We
love Bea no matter how she delivers her show. Personally, I could listen to
her fantastic stories and wild profanity for hours. I left the show feeling
content that I watched my favorite golden girl please the audience in the face
of technical issues and memory lapses. I watched her walk off the stage, hand
in hand with Billy, and I thought that it would probably be the last time I
saw her. I was pleased and proud to be a fan of such a truly remarkable
performer and person.
-Andrew
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Nathan [Chicago,
IL 2006] |
03.20.2006
For years, my partner and I have purposefully tried to restrict our exposure
to the recording of Bea's show until we could experience it in person. After
months, on Sunday, March 19, 2006 at approximately 4:00 p.m., our wait was over.
We retrieved our tickets from the Will
Call window and made our way to the theatre. We saw that Governors State
University allowed drinks in the auditorium and decided that it would be appropriate
to grab a cocktail, and "have a drink with Bea". Of course it didn't dawn on
us until after we sat down that we wouldn't be able to clap with our drinks in
hand, so we toasted Bea and slammed them! We had great seats just a few rows
back slightly off center, but it looked like all the seats in the house were
good. Bea took the stage shortly after 4:00 p.m. It took me at least ten minutes
to pinch myself and realize that this was real; there she was, right in front
of me, this was not TV. Once I snapped out of my shock, I realized how professional
she was with her craft. She obviously had the script down pat, but was relaying
it in such a manner that made her lines seem impromptu. During the first couple
songs and stories the sound system kept acting up. This was frustrating for all.
The audience eagerly wanted her to cut loose, and she seemed hesitant to bring
it home because of the microphones restrictions. This was very unfortunate to
have a performer of Bea Arthur‚s caliber compromised in such a way. However,
Bea never lost focus; she stayed resolute and kept on with her performance. The
stage crew got her a handheld microphone and despite the glitch the audience
was still attentive to her every word. With the problem behind her, Bea was liberated
to have fun with her show, which is what everybody in the house had come to see.
The show was fantastic! Billy was the foundation of which her show was built.
He not only played for her, but played up to her. His reactions and side comments
were funny, and with him by her side her stories seemed that much more personal
and intimate. He was a springboard for her fantastic mannerisms and pregnant
pauses inspiring delightfully comic suspense. Their interaction reminded me of
my grandparents the way they lovingly jab and bicker with each other. These two
are not your ordinary grandparents though! My grandmother would never say "fuck",
"cock", "twat", or "douche bag". Bea's eyes flickered with life and her wise
cracks were accentuated by Billy's reactions and her gestures toward him. Though
I was in a room with hundreds of people, she was able to convey her experiences
just as if we were gossiping over coffee, one on one. The selections of songs
and stories were perfect. It was so nice to hear her stories of her accomplishments
and exchanges during her superb career. Her songs were equally appropriate. They
were intimately personal for her, yet they were emotionally accessible for all.
They were her stories, but I could relate with my own experiences and I found
myself emotional during the touching "Where Do You Start" as well as the hilarious
"If I Can't Sell It, I'll Keep Sittin‚ On It". I would not be surprised if others
felt the same, I know my partner, who is from India, was thrilled she said she
likes Lamb curry. The performance worked both ways, her to us, us to her. There
were people all around us signing along with every song, laughing before she
finished each joke, even at a couple places she would get sidetracked and an
audience member would yell up a cue, and she would laugh and pick up on it and
go with it saying "hey yeah, your right". This spontaneity personalized her show
and made the experience that much more special. Even when she slyly said "shady
pines", a large part of the crowd spoke it with her. I believe my partner summed
attending her show the best way. Afterward he said, "that was like great sex,
followed by the best afterglow ever". Bravo Bea, you're the best!
I want to thank Kevin and his web site for keeping us informed of all of Bea's
activities and shows. Without him, keeping tabs on her would be much more difficult.
Nathan
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03.20.2006
After the show running for several years, I finally got my
chance to see Bea Arthur's show "Just Between Friends" in University
Park, IL on Sunday, March 19th, 2006! As Kevin knows, I have felt
for quite sometime that this day would never come! I'm actually for
Ontario, Canada and missed the show when Bea played here at the
Elgin/Winter Garden for over two weeks! I've also purchased tickets
for three separate Bea shows over the past year – two of them were
cancelled, and the other I unfortunately couldn't make it to, so my
ticket went to waste. But things looked up when I purchased a 5th
row ticket to Bea's Chicago area show, which was rescheduled from a
previous date, due to illness.
After what seemed like quite an eternity, it was finally
time to see Bea! We left rather early in the morning and made the
almost 8 hour trek over to University Park, IL. Each hour seemed
like forever, but sure enough, the hours did indeed pass by. We
arrived in University Park around 2.00pm local time, and I picked up
my ticket at the will call window. There is always that moment where
you think something may have happened, and they don't have the
tickets, or that the show was cancelled - but that was just me being
my neurotic self! We decided to go for lunch before the show, which
would not only fill my empty stomach, but make that last little
while go by even faster. I guess that's what seems like the longest
time – those last few hours before the show! After lunch I returned
back to the Center for the Performing Arts at the Governor's State
University, and found my seat! My seat was perfect, like I said –
5th row, and just off to the side! I would have the perfect view of
the stage, and of course, Bea!
The stage was filled with the familiar image of the piano with its
vase of water, wing chair, and the small side table with its pitcher
and glass of water. At approximately 4:10pm, Bea walked barefoot
onto the stage, immediately sending chills down my spine, and giving
me goose bumps! There are very few performers who can do that to me.
The audience went into a thunderous applause, as Bea stood there
taking it all in. She looked so beautiful, and is such an
inspiration. Then her great accompanist on the piano, Billy
Goldenberg made his way onto the stage. After telling Billy to "sit
down," Bea made her way into the lamb recipe, and I won't go into
the specifics, it's been so many times before. While I knew quite a
bit about the show, what she'd sing, etc., I was still taken by
surprise at hysterically funny this woman is! She has lost none of
her wit, and she defines perfect timing. Watching her was almost
like an acting lesson on how to successfully deliver a comedic line.
She's a master at her craft. There was one point in the show, where
Bea points into the audience and says a few lines, and she pointed
right at me, and said her lines to me! I couldn't believe it! The
one and only Beatrice Arthur was making eye contact with me.
Incredible. Bea forgot a couple lines of some songs, but used it to
her advantage, and had the audience wrapped in the palm of her hand
like only she can. There were also some audio problems, and Bea had
to perform the second half with a microphone. She said, "I've never
had to do this before! What the hell do it do with it?" Again, the
audience was eating it all up!
As quickly as it began, it was all over! The audience gave Bea a
much deserved standing ovation! People of all ages were standing for
this brilliant performer of stage and screen, and there was much
love in the room. Finally, after what felt like a "Bea Arthur" curse
I had my chance to see her live and in person. It was worth every
minute of the 16 hours of driving, and I'll cherish those memories
forever. I purchased an autographed copy of her CD for $20 which was
being sold after the show. It was also signed by Billy. It was the
perfect memento of the perfect day.
Andy
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Neal [El
Porto Theatre, Hollywood, CA, 2006] |
02.19.2006
Hello, all!
Today's matinee of Bea's One Woman Show, was, in a word... devine! This was the
3rd time that I have seen the show. The first time was when the tour first started
a few years back in Thousand Oaks, California, at The Thousand Oaks Performing
Arts Center. Then I saw it again 1 & 1/2 years at The El Portal Theatre in N
Hollywood, CA... where I saw it today.
The El Portal Theatre was built as a Vaudeville House in the 20's and then later turned into a movie theatre. The theatre went into disrepair after the 1994 Northridge Earthquake and has since been restored to a legitimate theatre.
It was posted on line that the performances at The El Portal were being filmed for a dvd release. There were no cameras in the theatre today. Perhaps it was filmed earlier this week during the Thurs, Fri or Sat shows.
Conrad Bain, Bea's co-star from "Maude," was in the audience this afternoon - 4th row center.
As the lights went down, Bea walked out on stage to huge applause, introduces Billy Goldenberg, and the show begins. I have the cd of the show that came out a few years ago. Since the cd is edited for time constraits, it's so nice to hear and see the show in it's complete entirety.
It's changed a bit from the 3 times that I've seen it. The first time in Thousand Oaks, there was no intermission. 1 & 1/2 years ago at The El Portal, there was an intermission. At this performance there was no intermission.
Since the Mae West story isn't on the cd, it was nice to hear it again, and to
see Bea imitate Mae West... looking up at her. Very, very funny. Perhaps the
funniest part of the show is when she is saying that many people asked her why
she would do a 1 woman show when there we so many parts out there for a woman
her age! Ha,ha..
My favorite part of the show is the song that she sings about owning a 2nd hand furniture store. Hysterical!! Her "twist" on the words in the song is wonderful!
Her timing and delivery is impectable. When she tells of her stories and experiences, it's as if she is telling them for the first time. She's so excited to tell us, the audience, all the amazing people that she has met or worked with.
The moment she mentions Lotte Lenya from "The Three Penny Opera," her eyes instantly well up with tears. It's very obvious that Bea adored and respected that woman. Her memories of that show, bring her the most joy!
She also sang "If He Walked Into My Life Today" from "Mame." Her performance was extraordinary! I'm sure she would have killed to have played the part of Mame Dennis in "Mame" instead of Vera Charles.
Her stories of her audition singing "Summer Time," Jerome Robbins, Tony Curtis, "Maude," Talluhlah Bankhead and others are so fresh and detailed in her memory, it's as if it just happened.
Today's performance was sold out. The theatre was selling "overflow" seating...
the top section of the balcony had folding chairs to see the show.
A screaming, standing ovaition closed the show. The audience roared with laughter when she announced that she was NOT going to sing "I'm Still Here." She closed the show with "The Man On The Moon" from "Mame."
One thing that was so nice was that Bea completely shared the stage with her pianist Billy Goldenberg. She constantly spoke to him, acknowledged him and thanked him. Many artists don't do that. Sure, they will thank them near the end of the show. But, he was featured CONSTANTLY! Which is a very nice thing for her to have done.
Well, that's about it. I certainly hope that a dvd of the show comes out. The theatre was selling autographed cd's of the show in the lobby.
Thanks for reading.
Neal
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Steven
Kyle [San Francisco,
2006] |
Hi, Poodle!
I saw that Bea was coming to San Francisco again at the beginning of 2006. So, I treated myself to her show as my 37th Birthday present to myself.
The show was amazing. Both Bea and Billy were relaxed, comfortable, and seemed to be genuinely enjoying the experience.
The theatre was beautiful and comfortable and I got a seat really close to the stage. Some guys even brought Bea huge bouquets of flowers to hand up to her at the end of the show.
Overall, it was the experience of a lifetime. Except for the old woman in front
of me asking in a loud stage whisper to her elderly male companion "What's with
all the gays here?"
Oh, honey, Its Bea Arthur in San Francisco. The old lady was lucky the street outside wasn't blocked off for a spontaneous gay parade. But, the rain wasn't going to mix with the drag queens very well, so we all dashed for taxis after the show.
I hope Bea never retires from performing. What a great role model.
Smooches,
Steven Kyle
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Jim [Alexandra,
Virginia 2005 Show] |
09.23.2005
I had the pleasure of seeing Bea's show last night at the
Birchmere in Alexandria, Virginia (a suburb of Washington, DC). I first saw
the show at the Warner Theatre in Washington, DC in October 2001 (before
Broadway & the West End). On the afternoon of the 2001 show, the United
States bombed Aftganastan. Bea came out and commented about about using
comedy to make people laugh when they feel like crying. She said it was OK
to laugh, but they could also OK to cry.
It's been four years since I saw the show (but I do have the CD memorized).
While I want to be honest and say that you can see that Bea has physically
aged. One of the friends I was with commented that she looked like Betty
Davis in her final years. Her voice is also losing its range. It's
cracking (as I saw on the Pamela Anderson Roast) and she's speaking many of
the notes she used to sing. But remember, the woman is 82 years old ... and
an incredible 82 years old.
The Birchereme is a supper club, generally hosting musicians. My seat was
directly in front of the stage (and in front of Bea's chair). I could have
easily reached out and touched her! And how absolutely wonderful to see
someone at her age carry a 90 minute, one woman show. The show has been
tweaked since I first saw it. Last night I heard the Mae West story for the
first time. She also told the Hal Linden story (which I also heard at the
Warner), but it wasn't in the CD. A new song was added and an old one was
taken out. I've heard many people say that they wished she talked more
about the TV years. I think the whole point was that the show was about Bea
and that she's far more than her TV roles. And she truly was Bea. And Bea
at her finest. I hope I have the opporunity to see the show again.
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Joshua [Mount
Pleasant, Michigan] |
04.19.2005
so here's the story,
dad and i went there. we had some time before the show so he hit the bar, and i waited on a bench for him to finish up (i'm a minor). so who should walk past but billy! so i run up to him and introduce myself. i then pull oot a picture of bea i had been keeping down my shirt so i wouldn't have to fold it. (he didn't seem freaked oot by this at all XD!) so i he signed it, and i asked if he could get bea to sign it too, and he said he would! and he told me to get it at the ticket office after the show.
so then we went to the show, which was great. bea did songs i hadn't heard on the disc like "i like new york", and told the elevator story which was great.
so i hit up the ticket office and it's not there! to make a long story shorter,
i make two trips around this casino praying that each place has it. i take one
last trip up to the ticket office one more time and who should i see behind me
but billy! he gives me the signed pic and asks me if i had a chance to met bea.
i say "no, but this is really enough." he then points out - "she's right over
there." i'm
like-*heart attack*
i can tell she's tired but i really would appreciate a quick pic. she's cool aboot it, and i drag billy into the shot too, (for he was the one that made everything happen-God bless him.) so bea's all "girls in the middle!" and the security lady took the pic. so bea lands an elevator and two lovers come up and ask for pics.
they call oot, and run up there i snap the pic, and she's gone. the lovers gave me their address and i send their pic to them. and here are pics they sent me from her show at the tampa bay performing arts center on 10-26-01.
-joshua
[photos available on Fan Photos page]
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John [Nyack,
NY 2005 Show] |
03.10.2005
I saw Bea this past weekend in Nyack, and she was fabulous.
We arrived at the theatre at about 7:20pm. The waiting area was full of older
people (canes, crutches, wheel chairs, and oxygen tanks, I kid you not!!).
I felt a bit odd, as I am 28 and my partner is 27, so I told him that he was
the youngest in the room! Also, a comment from a co-worker of mine kept echoing
in my head, "I just don't understand why a young man your age would be so interested
in Bea Arthur!" She is too funny.
Anyway, closer to the show time, the waiting area began to fill. Thank God,
in came a lot of younger people, and a lot of typical "Golden Girl" fans who
also were most obviously friend of Dorothy ;-)
The show was great. It really was the same as I had seen on Broadway, and also
as is on the CD. She threw in a few differences, such as she sang a different
song from Mame, not Bosom Buddies. She added a couple comments about Nyack.
And a few other subtle differences that most people would not notice unless
the were crazy enough to have the broadway CD loaded on their MP3 player ;-)
It was great seeing the show and Bea live. Especially because you can sign
(or in my case hum) along. You know what is coming, especially my favorite
the Talula Bankhead story and the Gravy Laddle.
The show ended as on the CD, and she received an enthusiastic round of applause.
I did bring flowers for her, but unfortunately she did not see me. I left them
on the stage. I told the theatre manager, and he said he would make sure that
she got them. He said that she wouldn't have been able to see me at the bottom
of the stage with all the bright lights shining at her. Too bad, I was hoping
for a picture. I didn't take one during the performance as they asked us not
too. A few people did though.
Other than that, she seemed great, and was her usually cheerful self. She is
doing those shows in Atlantic City in June, and I have been trying to decide
if I want to go to that.
I hope you have a chance to go and see her.
Take care,
-John:^)
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Hello Kevin, I was just
checking out your Bea Arthur web site. Great job by the
way. It's worth coming back to. Anyway, I read on the
message board about a guy named Luca who lived in Amsterdam
and had tickets to see Bea's show on October 11th. So
did I. I live in the Netherlands as well and I flew to
London for two days just to see Bea's show, but when
I went to the theatre to pick up my tickets I found out
it had been cancelled because she was taken ill. I don't
think I have to tell you how very disappointed I was.
I love her work in Mame and I was lucky enough to have
seen a couple of episodes of Maude that were re-run out
here (I'm waiting for the dvd-release). And of course,
Golden Girls was a huge hit in the Netherlands as it
was anywhere around the world. When I found out she was
doing a one woman show in New York I wanted very badly
to go there but I had to settle for the cd instead. So
I bought it when it was first released on Amazon (I LOVE
fifty percent and Pirate Jenny by the way) and I've been
waiting for her to come to London ever since so I could
get an opportunity to see this incredible performer at
work on the stage. Alas, it wasn't meant to be. Instead
of my impressions of her and her show I brought home
a flyer and a poster. Anyway, I just really hope she's
feeling better now, because there's nothing worse than
being ill especially when you work in the theatre. You
seem to be having regular
contact with Bea so I was wondering if you would bring
her my best wishes and admiration.
Thank you very much for taking the time to read this email and keep up the
good work.
Kind regards,
Melanie
(in case you're wondering, I'm 27)
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Hello,
I am a 26 year old boy from Belgium and went to see Bea's show in London. Unfortunately
my working schedule only allowed me to go on 18th October, the last day of
the performances. When we received an email earlier that week that Bea had
to cancel some shows due to illness, I totally freaked out!! Especially because
we already had booked tickets once to go to see Bea.... last year in New York
in the Booth Theatre (the last shows were cancelled then and we were so disappointed).
So, when we got the news that Bea was coming to London I was so very happy,
unbelievable.
When I started reading reviews from the show in London, I felt so very sorry
for Bea!! In fact, having seen the show now, I can understand some of the critics...
but I still loved it so very much! Only being in the same room with her was
magical! And for me, being rather young for a Bea-fan, not knowing almost anyone
or anything she talked about, still made it the best night of this year for
me!! Still suffering her illness, it still was a great show and the public
loved her! Of course, I can not compare with other shows off her but I loved
it, in fact, if I would have had the opportunity to go see a second show I
would not have doubted one second!! She is just magic. Unfortunately, being
still sick she did not give autographs or take pictures with fans so for that
I was sad, but very understanding! Get well soon Bea.
Working as a flight-attendant I can go see a lot of shows with superstars everywhere
(I have seen Aretha Franklin last month in New York and it was so NOT worth
the money) and I have to say that Bea really knocked me out!! She is no rock
star like Tina Turner (who is Simply the Best I have ever seen!!) but for her
age and with her thing going, I have so much respect for her! Unbelievable....
Rogier
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Hi,
My wife and I went to see Bea last night (Oct 17th) at the Savoy and did enjoy
it very much. However I do have to say that I can see why she has received
the reviews that she has from the UK critics.
First of all let me say that we are both fans of Bea. My wife, who is American,
knows her from her TV performances and some of her stage and my personal fandom
comes solely from her performances on Golden Girls. While it is true that the
majority of people who attend her shows are already fans of her, critics review
the show for the mass population of the London Theatre going public and I have
to admit the show doesn't really hit the grade for non fans of Bea who don't
really have a much of a knowledge about her.
In fairness to her, Bea clearly wasn't fully recovered. We traveled 3 hours
last week to get to London to be told the show was cancelled, we returned yesterday
with a rebooked hotel pleased to find she was back on stage. Unfortunately
the cold, flu or infection clearly took its toll, something which didn't particularly
harm her singing, but was quite obviously annoying her as she constantly had
tissue in hand. In my opinion the critics were right that although the show
was tried and tested it could have really done with being slightly re written
for a UK audience. Many of the people Bea was reminiscing about were not that
well known here in the UK and that added to the fact that the audience was
by no means full meant that at times the applause was not that overwhelming.
While it appears that Bea clearly does not want to solely be known for Golden
Girls I do think avoiding the topic almost altogether is a real shame. It was
clear what most of the audience knew her from, just from the one point when
she "re-inacted" Dorothy warning her mother with the words "Shady Pines". This
short moment was the closest Bea got to a standing ovation all night. The audience
was by no means full and I noticed several extra spaces in a few rows after
the interval.
I enjoyed the first half very much, it even included a wonderful impromptu
performance of Land of Hope and Glory from Billy after Bea had to leave the
stage to have her microphone fixed (It had been having problems throughout
the first few songs). Nevertheless without wishing to offend anyone here the
second half was clearly very much aimed at the Gay presence within the audience
and some of the very obvious connotations or mentions (such as the Canadians
allowing single sex marriages) were met with an embarrassing couple of cheers
from a couple of people at the back, the majority of the audience stayed silent
throughout much of this and the show in my opinion suffered for it.
Overall I enjoyed the show and felt slightly sorry for Bea throughout it. She
wasn't ready to comeback and suffered throughout, despite remaining extremely
professional and gaining much respect from myself and many people in the audience
in the process. Because of this much of the supposed memories and relaxed chat
seemed very staged and it was quite clear she was in auto pilot and was looking
forward to the end. This was confirmed when my wife and myself quickly went
to the stage door along with a few other members of the audience only to be
told 1/2 hour later by Billy Goldenberg that she had in fact already left via
another route because she didn't feel like seeing anyone.
I just want to make it clear that while it is true that some aspects may well
have passed by the funny bone of many a UK audience, in my opinion this wasn't
the only reason the show has not been that much of a success critically. My
personal opinion of Bea has also changed - I now appreciate her talent and
character so much more! I do feel I got to meet the actual person that she
is and came away with some good memories as did my wife who enjoyed the show
also. I just feel that with a little bit of tweaking and perhaps not such a
heavy schedule it could have done her a lot more justice, especially for those
who don't love her already.
Michael.
[photos available on news page
taken by Michael]
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